Shooting Performance: Edward Woodman and British Art of the 1980s and 1990s


David Medalla, Eloge de L’Exotisme, 1986, Chisenhale Space. Photograph: Edward Woodman. © Edward Woodman. All Rights Reserved, DACS 2020.

Alien Nation

Hamad Butt, The Triffid  (Part II of the Transmission  installation), 1990. Film still from the U-matic video transferred to DVD, 17 mins 8 sec. © Hamad Butt.

Transmission Interrupted

Adel Abdessemed, Practice Zero Tolerance, 2006. Terracotta, 120 x 365 x 165 cm. © Adel Abdessemed / ADAGP, Paris and DACS, London 2020.

Brighton Photo Biennial 2006

Brighton Photo Biennial 2006, 6-29 October 2006

The Real Me

Sonia Boyce, Talking Presence, 1987. Mixed media on colour photograph. © Sonia Boyce. All Rights Reserved, DACS 2020.

 

Fault Lines

Fault Lines: Contemporary African Art and Shifting Landscapes, presented as part of the 50th International Art Exhibition, La Biennale di Venezia, Dreams and Conflicts : The Dictatorship of the Viewer, 12 June–2 November 2003. Installation photograph. © Gilane Tawadros, 2003. All rights reserved.

Sutapa Biswas: Birdsong


Sutapa Biswas, Birdsong, 2004. Production still. 16mm film transferred onto 2 dvds. Dual screen projection. Colour, no sound. Duration: 7 minutes 7 seconds. Dimensions: variable. Made possible with the generous support of Iniva (London), Film and Video Umbrella (London), Grants for National Touring (ACE), AHRC (UK). © Sutapa Biswas. All Rights Reserved, DACS 2020.

Veil: Veiling, Representation and Contemporary Art

Front cover of Veil exhibition catalogue. Cover image: Marc Garanger, Femme Algeriérienne (Algerian Woman), detail, 1960. Photograph. © DACS, 2020.  All rights reserved.

Shen Yuan

Shen Yuan, Feel Just Like a Fish in Water, 2000. Installation photograph. © DACS, 2020. All rights reserved.


Keith Piper: Relocating the Remains


Keith Piper, Stills from Relocating the Remains  CD-ROM (from the project Caught Like a Nigger in Cyberspace), 1997. © Keith Piper. Courtesy of the artist.